Exactly

Robert Gibbs, Obama campaign advisor, said it best on Meet the Press this weekend:

"I think sometimes you listen to the Romney campaign and they do think a lot people in this country are stupid," Gibbs told NBC's David Gregory. "Their message is: You didn't clean up our mess fast enough."

More direct swipes at Romney and the failed GOP philosophy of governance:

"The last six months of the Bush administration, we lost three and half million jobs. We know this about Mitt Romney: He's not a job creator. When he was governor of Massachusetts, they were 47th out of 50 in job creation. His experience is in downsizing, outsourcing jobs and bankrupting companies and walking away with a lot of money for himself."

Gibbs added: "His economic ideas are the failed economic ideas that we tried for eight years, tax cuts for millionaires and billionaires, and letting Wall Street going back to writing the rules all over again. That is the policies that got us into this mess."

Thomas E. Mann and Norman Ornstein of two different institutes with two different political bents have joined forces to actually tell the truth: the reason our political system is so frustratingly polarized is almost entirely the fault of the modern-day Republican Party:

We have been studying Washington politics and Congress for more than 40 years, and never have we seen them this dysfunctional. In our past writings, we have criticized both parties when we believed it was warranted. Today, however, we have no choice but to acknowledge that the core of the problem lies with the Republican Party.

The GOP has become an insurgent outlier in American politics. It is ideologically extreme; scornful of compromise; unmoved by conventional understanding of facts, evidence and science; and dismissive of the legitimacy of its political opposition.

When one party moves this far from the mainstream, it makes it nearly impossible for the political system to deal constructively with the country’s challenges.

“Both sides do it” or “There is plenty of blame to go around” are the traditional refuges for an American news media intent on proving its lack of bias, while political scientists prefer generality and neutrality when discussing partisan polarization. Many self-styled bipartisan groups, in their search for common ground, propose solutions that move both sides to the center, a strategy that is simply untenable when one side is so far out of reach.

Or, as Jimmy Kimmel put it at the White House Press Correspondents dinner on Saturday:

I have my own theory about President Lincoln's death. I think John Wilkes Booth was innocent. I don't even think it was an assassination. I believe that Abraham Lincoln had a vision about what the Republican party would become in 150 years, and he shot himself."

Let's hope America is less self-destructive in November.

Redemption through Recovery

The story of Rep. Gabrielle Giffords (D-AZ) is about to become as inspiring as possible. She will become a living memorial and reminder of those who did not survive the psycho assassin's bullets that day. She will become a powerful symbol for the Left of resilience and, ultimately, courage in the face of dark, reactionary forces that sometimes scare us out of our convictions.

However, as her mother so correctly notes in the upcoming Diane Sawyer piece with Giffords, her astronaut husband, family, doctors and therapists, she now has a message that rises above, that is larger than politics:

A special person made that much more special by the calamity visited upon her, and by her character as revealed in her recovery from it.

A living symbol and beacon.

Working Help

The movie version of The Help, so to speak, works, which is both surprise and a relief. It's the best kind of Hollywood common reader movie, a.k.a. "middlebrow" entertainment designed to enlighten as well as, ultimately, uplift and delight. In the tradition's best movies -- say, The Best Years of Our Lives, To Kill a Mockingbird, there's enough complexity that we accept the movie as a truthful reflection of a problematic real world era.

We accept the flattening of historical complexities into good guys and bad guys in return for the superior performances of actors like Viola Davis, who holds the movie together as focused voice and biggest journey, the journey of self-respect that was the foundation of the Civil Rights Era and resonates in the ongoing struggle today.

While being fairly labelled as Civil Rights light, it's effective in bringing painful questions back, including what led up to the era.

Slavery, America's original sin, was about the complete denial of a human being's identity, the person as property, that identity to be bought and sold no matter how many times it breaks up a slave family. The uneasy truce that followed the Civil War for 100 years was essentially a recodification of the old system, with personhood still denied by an epithet, by the devilish nerve to kidnap young men and women in the night and hang them from trees.

The biggest historical news moment in The Help is the shooting of African-American rights activist, Medger Evers, happening in the very town of Jackson where the movie's set. Considering the tripling of death threats against the President when Obama took office, there's something palpable about the film for our time, a safe place to think about a time when America was not as fair, in law or custom, as it is now. As the film has a comedic heart, its irony is more ultimately more positive than negative, but it's an emotional experience throughout, in large part due to the exemplary cast of women.

Viola Davis' Abiline is given the main voice, not Emma Stone's Skeeter although the trailer would have you fooled into thinking it's all through the white chick's eyes. Davis, 41, has won two Tony's and was nominated for an Oscar for Doubt, so I think the only question is whether she gets nominated in the Best Actress category or the more likely chance of dominating as Supporting Actress. There's an argument to be made that it's an ensemble piece, but you can't submit Stone as Best Actress without betraying the story. I haven't read the book, but saw that it uses three voices -- Abiline, Skeeter and Minny -- which the filmmakers wisely consolidated into Abiline.

Davis is the lead, with Stone close behind and the terrific Octavia Spencer as the rebel, Minny. I loved seeing Jessica Chastain playing the opposite of her idealized mother figure in The Tree of Life, Allison Janney is great as Skeeter's mom, Sissy Spacek and Cicely Tyson are welcome anchors at the senior end, and Stone does come out of this a leading lady who can act, is naturally attractive in an interestingly non-bombshell way, and may just be the current smart it girl of her young generation.

I don't want to post the trailer because it's both misleading and spoiler-filled. Just trust me that you don't have to feel guilty going to see it. Even white Liberal guilt.

Someday, it'll probably be a musical.

Gabby Shows

I guess if Rep. Gabrielle Giffords can make it back to the House of Representatives to vote for the debt deal seven months after being shot in the head by a raging asshole lunatic, I can chill out about the deal itself.



Keep hope alive.